Dr. Reynaldo Anderson is an Associate Professor and Director of Graduate Studies at Temple University in the department of Africology and African American Studies. Dr. Anderson’s work has been the subject of Time magazine, the BBC, and other national and international publication about Afrofuturism. Reynaldo is currently the executive director and co-founder of the Black Speculative Arts Movement (BSAM), an international network of artists, intellectuals, creatives, and activists. He is the co-editor of the following anthologies and journals, Afrofuturism 2.0: The Rise of Astro-Blackness and The Black Speculative Arts Movement: Black Futurity, Art+Design (Lexington Books, 2015, 2019), Cosmic Underground: A Grimoire of Black Speculative Discontent (Cedar Grove Publishing, 2018), Black Lives, Black Politics, Black Futures, a special issue of TOPIA: Canadian Journal of Cultural Studies (2018), and When is Wakanda: Afrofuturism and Dark Speculative Futurity (The Journal of Futures Studies, 2019). He is also the author of numerous articles on Africana Studies and Communication studies and helped conceive the joint BSAM and NY LIVE Arts Curating the End of the World online exhibitions on the Google Arts platform (2020-2022). Reynaldo is the co-editor of The Lovecraft Country Reader, forthcoming in 2022-23. Furthermore, Dr. Anderson’s latest exhibition The Black Angel of History Myth-Science, Metamodernism and the Metaverse is curated in the Zankel theater of Carnegie Hall and on the Google Arts Platform. Currently, Dr. Anderson is a member of the curatorial council for the Carnegie Hall Afrofuturism festival in New York City in February and March 2022.